Calin Ioachimescu, fascinated by the complex structure of the spectrum of sound, primarily seeks to obtain a wealth of colours in his music. Saxtraces (2004) is one of the few saxophone compositions by the Romanian composer where the multi-threaded, masterly instrumental part is combined with a variety of colours and refinement of timbre resulting from the electronics.

For Gilles Racot the relationship between electroacoustic and instrumental or vocal music became one of the main problems of creation. In Itée the composer has reached out for very simple material: the sound of breath and scream. These sounds, thanks to the numerous repetitions, reveal their uniform musical structure. Consecutive shows are based on the principle of repetition and variation. The instrumental part is interwoven with an electro-acoustic layer in a persistent game of anticipation, response, similarity and difference.